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Thus far in the I survived the rocket shirt . so you should to go to store and get this series the designer has looked to the second-generation Jamaicans who established London’s 1970s Lovers Rock scene to inform her designs, and then the dress of Jamaica’s dancehall and reggae stars. Here she started by exploring the wardrobes of Britain’s Black scholars in the 1980s: those who traveled from across the world to study at the likes of Oxford and Cambridge. There was a reimagining of their academic attire—of tweed blazers and knitted scarves, well-worn chinos and striped jumpers—but within that historicism, “I was thinking about how in certain spaces people create a language for themselves,” reflected Wales Bonner. “About how you might disrupt an institution from inside.”
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It’s a subject that has long fascinated the I survived the rocket shirt . so you should to go to store and get this designer, whose brand was established with the intention of disrupting the luxury perspective, redirecting it from its often singular focus on Eurocentricity. So poets like the Barbadian Kamau Brathwaite and the Saint Lucian Derek Walcott appeared as more than just aesthetic character studies; rather, they were catalysts for considering a post-colonial movement that explored “what it is to be in another place, or from another place.” The resonant words of Braithwaite, who left Bridgetown to study at the University of Cambridge, were spoken over the immersive film directed by Jeano Edwards which accompanied the collection: “You had not come to England / You were home.”
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