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Cotton Bureau is a good opportunity Cousin Eddies Est 1989 Rv Maintenance No Shitters Too Full shirt . for talented designers that lean more towards the minimalist style to get their work out there and earn some well-deserved cash. The t-shirt marketplace promotes designers, builds a smart creative community and give to charity. Call it a triple threat, but I should also specify that they handle everything from selling and printing to shipping and customer service. All for free. Basically, it’s a goldmine for t-shirt illustrators that we can’t praise enough. As you can see, for all the right reasons.The news is that they launched a January challenge, asking designer to submit their work with the theme CITY. To enter, just send a design representing your city or your neighborhood, town, village, county, state, province, municipality, township etc. It can be any location, from any country or continent – this challenge is a chance to shine a (positive) light on the awesome place you come from. The better your design, is the more you will sell. But if the nice people at Cotton Bureau like it, you can win a Google Home Max.
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The deadline is January 31st Cousin Eddies Est 1989 Rv Maintenance No Shitters Too Full shirt . Below you can find an example of city-themed design, featuring Fullerton, Ca architecture.Here we are at the beginning of a new creative year, hopefully focused on being more innovative, more patient and more respectful to deadlines. That last one sounds particularly far-fetched. But seriously speaking, from all the wishes we could send you, the best is for you to be constantly inspired.Unfortunately, it’s not easy to cancel out the noise of outside distractions. January is especially tougher. Therefore, I thought this was the best time to offer you some creativity boosters. Obviously, the internet is full of trend lists, tools, tutorials and tips. Nevertheless, I’m here to give you something more basic: everyday challenges to train your designing muscles.Twitter has a strong, smart creative community that encourages and supports illustrators, keeping them on their toes. I personally prefer it more than Facebook, because it feels more heartfelt, where people still have honest conversations. This is where I found illustrators engaged in creative challengers launched by their peers who seek to “ to cultivate constructive connections”. These Twitter accounts promote talent, consistency and learning.
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